Cool sound sculptures, many made with motors and objects that collide to sound like wind and rain (and storms and crickets and a million other things that come to mind), and look like they would be fascinating to experience and see in real life. Every installation makes me wonder how Zimoun thought of and developed it.
The video is long but worth watching to get the whole experience of sound, motion, and environment (as opposed to just looking through the installation photos on the website). Each piece is unique but together they have a particular style, so the overall video is very enjoyable to watch.
“Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of simple and functional materials, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena in Zimoun’s minimalist constructions effortlessly reverberates.”
Speaking of the difficulties of defining color in a discrete way (see my previous entry on Empirical Zeal’s great blog post about color naming), here’s a creative tool that gives us a new spin on blending and blurring the lines between color names and identities. I wish I had one of these!
“Washington-based painter Tyree Callahan modified a 1937 Underwood Standard typewriter, replacing the letters and keys with color pads and hued labels to create a functional “painting” device called the Chromatic Typewriter. Callahan submitted the beautiful typewriter as part of the 2012 West Prize competition, an annual art prize that’s determined by popular vote. I don’t know how practical painting an image with a color typewriter is, but if Keira Rathbone can do it…”
Yayoi Kusama’s piece at the Tate Modern in London is a beautiful environment of infinite space, like being in a limitless colorful galaxy. It was created using mirrors and LED lights. The exhibition is over, but the photos of it are amazing. See more here.
February sunset on the Manhattan skyline from the Promenade in Brooklyn Heights. I have a few favorite spots in this city that remind me that pretty things exist here.
Take a look at this infographic published in Wired last week that shows an hour of transactions that were performed through Square. Square is a rapidly-growing payments platform that makes it possible for anyone to accept credit cards, using their main feature, the free (yes, free) little white square credit-card-swiper that you might have seen at small businesses or places where people exchange money that has traditionally been more cash-focused because of temporary or mobile conditions (such as flea or farmer’s markets). Anyone can sign up and get a reader, and the app is free on phones and iPads, so if you lend out a lot of money to your friends and they never have cash to pay you back, here’s an option for you. The reader is free but every transaction gives a 2.75% cut to Square.
Square is also trying to push a mobile payments platform that lets you pay via your phone, without needing any card, at local businesses that you frequent or just want to check out. The businesses must be listed in the Square directory, meaning that they’re all set up to accept money that way, and you can just walk in and add purchases to your tab on your smartphone, which gets confirmed at the register (iPhone and certain Android devices only, at the moment). Not only does it cut out the need for carrying your wallet, as Square emphasizes, it also encourages recognition between local, smaller businesses and their frequent customers. Or even just any customers.
Square is definitely not the only mobile payments platform out there, but they’ve been pushing hard to get their little white block out there, and the map is fascinating to look at. I can’t say it’s a favorite device of mine, because I’ve used and experienced it before and it’s always been finicky and difficult to work with — mostly in problems getting the cards to swipe and register, which seems to be more of the hardware. I’m always scared it’s going to break, because it’s connected to your device through the headphone jack. While it’s great that they’ve worked so hard to get their product and app out, I think that their reader can probably be improved, and it’s interesting that they’re sort of letting everyone test-drive the hardware on such a large scale when it’s not quite reliable yet. But clearly that has been working for them, looking at this map.
The circles represent single transactions going through the Square payments system during a one-hour period on a recent Thursday afternoon–the larger the circle, the bigger the dollar amount of the sale. These transactions happened around 4 p.m. Eastern. So think happy hour in New York, and lunch hour in San Francisco, where Square is based. A busy period for Square and the merchants who use it.
“More and more people believe that access to a garden, and to gardening, is a basic human need. But is the answer a traditional house and garden or should we be looking at gardens in the sky?”
Dubbed “Flower Towers” by the Financial Times, these fluffy green buildings designed by architect Stefano Boeri are currently rising in Milan. Photos show that the skeletons of the buildings are up, an intricate maze of balconies and jutting gardens designed to insulate the building, counter air pollution and support reforestation, work towards sustainability, and maintain biodiversity and a functioning ecosystem, all suspended 110 meters into the air. These microclimates ideally would maintain their own energy and water usage and recycling, including using repurposed grey water from the building to feed the plants.
The floor layout with plumbing detail makes the building look like an Escher piece. 900 trees of varying heights and structural types will be used to make a diverse wall, both for the biology of the building and for coating the sides of the buildings more fully. The finished product, which when flattened, is equivalent to 15,000 square meters of land and 10,000 square meters of forest, and is intended to counteract the growth of Milan’s rapid urban expansion.
My roommate, a graduate student at NYU’s Interactive Telecommunications Program (and computer science / engineering / robots / circuitry / electronics / art&design extraordinaire, and overall awesome person), invited me to the ITP Spring Show this year, where ITP students display and demo their projects from classes, independent research, and theses. It’s a two-day showcase, spread out among the classrooms and lab spaces of the ITP floor within NYU’s Tisch School of the Arts. The students are all intensely innovative and creative, but also skilled in the technical background needed to carry out their ideas, and most importantly, very interested in how to connect to people and how to use technology creatively (ITP has proclaimed itself the “Center for the Recently Possible”). The show happens twice a year, at the end of the fall and spring terms.
There were many, many favorites, but here’s a small sampling:
“The Descriptive Camera works a lot like a regular camera—point it at subject and press the shutter button to capture the scene. However, instead of producing an image, this prototype outputs a text description of the scene. Modern digital cameras capture gobs of parsable metadata about photos such as the camera’s settings, the location of the photo, the date, and time, but they don’t output any information about the content of the photo. The Descriptive Camera only outputs the metadata about the content.
“As we amass an incredible amount of photos, it becomes increasingly difficult to manage our collections. Imagine if descriptive metadata about each photo could be appended to the image on the fly—information about who is in each photo, what they’re doing, and their environment could become incredibly useful in being able to search, filter, and cross-reference our photo collections. Of course, we don’t yet have the technology that makes this a practical proposition, but the Descriptive Camera explores these possibilities.”
Cool new way to approach photography, especially as all of your photographs become digitized and trapped onto your spare hard drives. Even analog photos that get printed on film get digitized, as if to save them in some way that seems more permanent to us (even if it isn’t). The camera works by sending the image to workers who have signed up for Amazon’s Mechanical Turk system, which feeds Human Intelligent Tasks (HITs) to other people over the internet, for a fee. The people who get these tasks send back a short descriptive text about the image. The Descriptive Camera makes it a fascinating study in what we see in images that don’t come with any context, and how people choose to tell stories or color what they see with their personal viewpoints.
Here are some descriptions collected from the show, as posted to Matt’s blog:
A thoughtful gentleman in a pink and baby blue plaid shirt stands next to a lovely woman who appears to be impersonating an orangutan.
A woman in a black top looks terrified by the gentleman in a grey shirt who seems to be telling a story about an enormous fish he once caught.
A woman in a black tank top stands in the foreground. Behind her, it appears as though there is a beard convention taking place.
Two men are fighting over the honor of this lady with bangs who is standing the background. She actually looks really excited about this fight. DRAAAAAAMA!
Added bonus: NPR’s Wait Wait…Don’t Tell Me show featured the Descriptive Camera in a recent limerick.
The Design for Digital Fabrication class produced some great pieces on display made with laser cutters and 3D printers. This shareable chair was whimsical, functional, and beautiful — sit down with a friend and sway in unison on the carefully cut wood frame, which was made on a CNC router.
Rehuddle is a very simple conference-call site that makes it ridiculously easy to set up group calls. You can invite friends through calls, texts, or emails, and you even get those iconic little Turntable.fm avatars.
“Our target audience is small creative businesses that cannot afford expensive phone systems and are looking for a free, easy and fun solution. Our secondary target market is for anyone looking to speak and share information with two or more people.” – Project Description
Laser cutting and 3D printing come together to yield…the evasive perfect burrito. The evasive perfect 3D printed burrito.
“Burritob0t is a platform for rapid prototyping and tracing the source of food in our lives to reveal hidden issues revolving around fast food: labor practices; environmental consequences; nutritional values. Mexican fast food is emblematic of the assembly line, mass produced era of modern consumables – appropriating the authenticity of the ethnic food sensibility it purports to embody while masquerading as an edible like substance. Because the burrito is a mass market consumable, it lends easily as a way for examining and stimulating discussion on various aspects of the food industry including: how and where our food is grown, methods of production, environmental impact, cultural appropriation and perhaps most importantly – what our food means to us. By parodying the humble burrito’s ingredients and methods of production we can shed light on these exogenous factors and interconnected systems surrounding the simple burrito.”
This is a typeface designed with the help of genetic algorithms. As someone who has worked on evolutionary biology and spent a lot of time looking at these sort of patterns and trees, it was particularly cool to see how people found them both beautiful and inspirational for design, especially as the principles of evolution and feedback were incorporated into each iteration of a font:
“User Scenario: We will have the program set up on an iPad. User approaches iPad, directions on how to begin generating typeface will be clearly presented. When user generates first evolution of the typeface, they have the option of either printing and saving what they’ve created or creating another generation. The characteristics of the next font generation (color, shapes, size, etc.) can be determined by the user depending on how long they hover over each example. The longer they hover over one, the higher ranked that letter’s characteristics will be and the more likely the next generation will look like that character. User saves the print and can email print to themselves.”
Who doesn’t love digging around in a sandbox? Let’s be real. This highly interactive piece encouraged the curious to pretend to be an archaeologist and hunt for dinosaur fossils…yep.
One part that seemed to capture everyone’s interest was how the sensors could tell how deep you were digging — the idea of depth adding a new element to your interactive, 3D space archaeology adventure. The sensors could tell where you were digging and how far down you were going, and dinosaurs (and lobsters) would pop up accordingly. I thought it would be pretty awesome to have an underwater deep-sea explorer version of this, like putting on a suit and floating around in a pool that gets magnified into a giant ocean? And whales and squids come at you? Is that too crazy?
This seemed complicated from far away, but you’re quickly drawn in by the visual/audial mix going on, and a bunch of very concentrated people staring at the screen, bobbing their heads, and poking their cell phones. A group of users calls up a phone number, each on their own cell phone. Once you get into the system, your number shows up on the grid, a whole row of cubes to yourself as your own personal 8-step music sequencer — within the 8-member-maximum band. You can control your beat and rhythm, which cycles automatically, by pressing numbers on your own phone’s keypad, which turns the steps on and off and animates (or stills) the corresponding cube. Once you get more comfortable, you can mix in the ability to change the pitch and instrument with the pound and star keys, and the flashing colors synching with your inner dial-pad-music-genius.
Caren Alpert asks a good question with her series, terra cibus: what’s in our food? The project is a collection of electron microscope images of different foods, from shrimp tails (pictured) to chocolate cake to vegetables. In some cases you can clearly see the differences in texture, uniformity, composition, some beautiful and foreign, some just as you might have expected.
“Photographs taken with electron microscopes have seized my interest because of their mystery and simultaneous familiarity. This medium deconstructs, abstracts, and reveals the ordinary in a riveting way. The closer the lens got, the more I saw food – and consumers of food – as part of a larger eco-system.”
cea salt 